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Francis Alÿs, Untitled (in three parts), 1995-1996. Triptych, encaustic on linen. Collection of Institute of Contemporary Art, Miami. Gift of Stanley and Nancy Singer. Photo: Silvia Ros.
Francis Alÿs, Untitled (in three parts), 1995-1996. Triptych, encaustic on linen. Collection of Institute of Contemporary Art, Miami. Gift of Stanley and Nancy Singer. Photo: Silvia Ros.

Francis Alÿs

On view Apr 26 – Dec 2, 2018

The Institute of Contemporary Art, Miami hosts a presentation of paintings by Francis Alÿs based on three important multi-panel works in the museum’s permanent collection.

The artist’s “Sign Painting Project” series (1993–97), one of his first important bodies of work, involves his close collaboration with three commercial sign makers in Mexico City who copied, enlarged, or otherwise interpreted his original paintings. Alÿs in turn made new versions of his paintings based on these interpretations, calling into question the final works’ authorship and value. This body of work is typical to Alÿs for its deft navigation of social and economic factors. Reflecting on the declining art of commercial sign painting in a digital and hyper-capitalist age, the artist considers the culture of image making and disrupts the market, redistributing value to traditional image makers.

Francis Alÿs (b. 1959, Antwerp, Belgium) is an interdisciplinary conceptual artist working in installation, video, painting, drawing, photography, and performance to address issues of geopolitical and social conflict in urban environments. Trained as an architect, Alÿs moved to Mexico City in 1986, where he began making public performance works as meditations on the experience of urban living. These interventions into urban space reflect conditions of dynamic unrest among communities living on Latin American borders.

Image of Francis Alÿs, Untitled (in three parts), 1995-1996
Francis Alÿs, Untitled (in three parts), 1995-1996. Triptych, encaustic on linen. Collection of Institute of Contemporary Art, Miami. Gift of Stanley and Nancy Singer. Photo: Silvia Ros.
Image of Francis Alÿs, Untitled (head and foot), 1994-1995
Francis Alÿs, Untitled (head and foot), 1994-1995. Encaustic on linen and enamel on sheet metal. Collection of Institute of Contemporary Art, Miami. Gift of Stanley and Nancy Singer. Photo: Silvia Ros.