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Dara Friedman

Mar 18 – Apr 10, 2019
Spring Semester 2019
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Installation by artist and filmmaker Dara Friedman
Installation view: Dara Friedman, L☿️ver, Galleria Franco Noero, Turin, 2018–19. Courtesy Galleria Franco Noero, Turin.
Dara Friedman, L☿ver, still, 2018
Dara Friedman, L☿ver, still, 2018. Video, 35mm film and HD video, sound, 6 min. Courtesy the artist.
Installation by artist and filmmaker Dara Friedman
Installation view: Dara Friedman, L☿️ver, Galleria Franco Noero, Turin, 2018–19. Courtesy Galleria Franco Noero, Turin.

Speaking from personal experience and observation, in this seminar we will deconstruct the process of filmmaking for the purpose of art making.

What is film? What is the stuff and what is the non-stuff of filmmaking? What is the difference between shooting film and receiving images? How do I work with other people, truly? What is the picture frame and its cosmic significance? What is respect? The relationship of sound to picture? What is editing and how does it relate to breathing? What is my relationship to the tools I work with? What is my relationship to truth? What does thinking with the body mean? Why is art making ultimately a spiritual practice? What is the work of an artwork? Why do I care and why does everything matter?

To help understand these questions, we will be working as a group and engaging in physical exercises that enhance receptivity, culminating in a “Breathwork” session on the third evening.

Schedule
  • Some Film Ingredients

    Mon, Mar 18, 2019
    6:00 pm to 8:30 pm
  • Tue, Mar 19, 2019
    6:00 pm to 8:30 pm
  • Wed, Mar 20, 2019
    6:00 pm to 8:30 pm
Important

Please be advised that class size is limited to no more than 12 students.

About Dara Friedman

Dara Friedman (b. 1968, Bad Kreuznach, Germany; lives in Miami) uses everyday sights and sounds as the raw material for film and video artworks that reverberate with emotional energy. A former student of the famously rigorous Austrian filmmaker Peter Kubelka, Friedman engages tendencies in 20th-century experimental cinema that call for a radical reduction of the medium to its most essential material properties. In place of linear storylines, her films typically portray straightforward gestures and situations that unfold according to predetermined rules and guidelines.

Yet for all of Friedman’s strenuous logic and discipline, her approach remains unabashedly sensual and emotive. Bearing rich imagery and a strong emphasis on bodily experience, her films generate moments of high-pitched, cathartic intensity as well as serene, even euphoric interludes. In recent years, Friedman has increasingly explored the charged boundaries between the public and private spheres, working with musicians, dancers, actors, and other individuals selected through casting calls and auditions. These experimental collaborations dovetail with the artist’s longstanding endeavor to use her work as a means of engendering empathy while pounding on the walls that separate viewer from subject, artist from audience, self from other.

Dara Friedman studied at the Städelschule in Frankfurt, as well as at the Slade School of Fine Art, University College, in London; University of Miami, School of Motion Pictures; and Vassar College in Poughkeepsie, New York. Most recently (2017-18) she mounted a mid-career survey exhibition Dara Friedman: Perfect Stranger at the Perez Art Museum Miami with a catalog raisonné distributed by Prestel. Solo exhibitions of her work have been presented at institutional venues including Aspen Art Museum (2017), Hammer Museum, Los Angeles (2014); Museum of Contemporary Art Detroit (2014); Center for Contemporary Art Ujazdowski Castle, Warsaw (2013); Miami Art Museum (2012); Contemporary Art Museum, Raleigh, North Carolina (2012); Public Art Fund, New York (2007); The Kitchen, New York (2005); Kunstmuseum Thun, Switzerland (2002); and SITE Santa Fe (2001). Her work has been included in group exhibitions at institutions including Hirshhorn Museum and Sculpture Garden, Washington, DC (2013); MoMA PS 1, Long Island City, New York (2010); Whitney Museum of American Art, New York (2009 and 2002); Schirn Kunsthalle Frankfurt (2009); and New Museum of Contemporary Art, New York (2002), among several others. Her work is included in institutional collections, including those of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Pérez Art Museum Miami; Migros Museum für Gegenwartskunst, Zurich; Institute for Contemporary Art, Miami; and Hammer Museum, Los Angeles. Friedman is the recipient of the Rome Prize (2000) and is represented by Gavin Brown’s enterprise, New York; Kayne Griffin Corcoran, Los Angeles; and Galeria Franco Noero, Turin.

Resources
Semester
Mar 18 – Apr 10, 2019
Spring Semester 2019
Learn More